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longest of the long zithers of East Asia; about 6 feet long; 13 silk strings; this narrow harp is laid horizontally, each string with its own movable bridge.
A kind of flat cup, plate. In Turkish; Topraktan veya madenden yapılmış çorba tası, çukur çanak
Wooden ball. In Turkish; Ağaçtan top, Ağaçtan gürz. In French; Boule de bois.
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1) practicing on a musical instrument, 2) a shed that a firewood is stored.Eg; He spent the last two months woodshedding his timbal skills. In Turkish: Belli bir müzik aleti ile uygulama yapma, Yakacak odunların konulduğu sundurma.
Stereo recording technique, realised with multiple instruments.
Heavy, Solemn, Serious, Hectic: In Turkish: Epey ağır olan, Ağırbaşlı, Ciddi. Eg; Weighty music.
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Crocodile [from Greek champsai, Egyptian emsehiu] In Egypt deified under the name of Sebak (or Sebeq). The principal seat of this worship was the city Crocodilopolis (Arsinoe) where great numbers of mummified beasts have been exhumed. When the canals became dry, the crocodiles would wander about the fields and make such havoc that they were naturally associated with the powers of destruction and evil, the principal malefactor of the pantheon being Set or Typhon. The ancient Egyptians did not regard Set or Typhon, and the crocodile which represented him, as the enemy, the destroyer. In fact, in the earlier dynasties Typhon was one of the most powerful and venerated of the divinities, giving blessings, life, and inspiration to the people, and in especial perhaps to the Royal House or rulers of Egypt. The reason lay in the fact that the earlier mythology showed Typhon or Set mystically as the shadow of Osiris, the god of light and wisdom -- Typhon or Set being the alter ego or more material aspect of Osiris himself. "The Crocodile is the Egyptian dragon. It was the dual symbol of Heaven and Earth, of Sun and Moon, and was made sacred, in consequence of its amphibious nature, to Osiris and Isis" (SD 1:409). The crocodile was also named as one of the signs of the zodiac, the regency of which was connected with a group of lofty beings, whose "abode is in Capricornus" (SD 1:219).
Alas, there are a two similar but critically different meanings of the term become confused. Most people want to say, however, that postmodernism originated in the middle of the twentieth century and was a rejection of the "modern " or "modernism.".
The most prominent one, however, is probably Jean-Francois Lyotard 's definition of postmodernism as an incredulity towards meta-narratives . This means the postmodern is one who is skeptical of theories that speak in grand generalities and that universalize their conclusions. Translated into therapy theory this often means that the therapist works to
avoid dogmatic posturing about the "Truth" of the client's situation. In discussion forums this may mean that the quest is not for consensus around some grand statement of the truth but for paralogy . This kind of postmodernism tends to be utopian and visionary, imagining that postmodernism can bring us better lives.
On the other hand, postmodern sometimes means disillusionment with the standard way of understanding things. In this case, the therapist tries to offer a more correct (or helpful?) way of thinking and these helpful ways tend to be counter-intuitive for mainstream cultural thinking. In this case, therapists often talk about the dominant or oppressive narrative and offer, in its stead, a preferred narrative. Some disillusioned postmoderns, however, are nostalgic, feeling even that the loss of the metanarrative devastates mental health and that we should fight
postmodernism in order to to make it a better world.
There is, therefore, an ongoing controversy about postmodernism that revolves partly around different definitions of the term.
objectified experience of phenomena taken as recurrent, structured, identifiable, and predictable universally; the possible and certain foundation of sentient being in the world. Generally, that which is loosely called 'reality' which in literature has a specific meaning in 'realism'.
a scripted world-view; a stance somewhere between public/formalized and personal/commitment. Example: in 'The Dream of the Rood', a tree is recognized as a cross becomes a crucifix imbued with significance by an individual or enhylon